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Tom Brady Roast Proves Woke Is on the Run


Remember comedy?

We used to embrace it without reservation, treating comedians like … comedians, not politicians who hold sway over our lives.

Tell a bad joke? Move along. Nothing to see here save the flop sweat on the stand-up’s brow.

The woke mind virus changed all that.

Now, comedians have to watch what they say for fear of “offending” a group or single person. It’s had a chilling effect on creativity across the board, but comedians have felt its impact the hardest. Dave Chappelle could have died after one armed audience member rushed the stage.

We may be leaving that cultural rot behind. Finally.

On the wider front, DEI policies and practitioners are coming under heavy attack. Some DEI advocates are losing gigs as their past malfeasance is exposed. Others are scrambling to rebrand their shtick to keep the grift going.

It doesn’t help that the same college snowflakes who decried insensitive Halloween costumes are now chasing Jews off campus.

Meanwhile, some of the biggest names in comedy defy the woke bylaws to grand effect. Think Tim Dillon, Shane Gillis, Andrew Schulz and more. They work mostly outside the mainstream, connecting directly with fans hungry for laughter.

They don’t need Johnny Carson’s “Tonight Show” approval for fame and fortune. A good WiFi connection and YouTube channel will suffice, thank you.

Over the weekend, we saw the biggest sign yet that the woke comedy police have been benched.

Netflix’s “The Roast of Tom Brady” felt like a program circa 1994. The roast format demands comedians see the line and then cross it again and again. Except we haven’t seen many mainstream roasts in recent years.

The format faded from view as comics scrambled to keep their careers afloat.

The “Brady” affair proved as ferocious as any roast. Ever.

No rules. No boundaries. Race. Sexuality. Physical attributes. Dating. Marriage. Infidelity. Trans Americans.

Everything was fair game, with “Kill Tony” podcast host Tony Hinchcliffe dropping a nuclear bomb on the proceedings that won’t soon be forgotten.

And little of it can be shared here.

What happened next? More or less nothing.

It took several days for the far-Left Washington Post to register its outrage. “The Tom Brady Roast Was Cruel Misogynistic and Not Very Funny” read the on-point headline.

That misses the point.

“Funny” is always subjective, but the “cruel” gags were meant to be cruel. Not to mention “sexist,” “racist” and more.

“The View” squad flinched at jokes targeting Gisele Bundchen, Brady’s ex-wife.

Everyone else was in on the joke and had a thick enough skin to “survive” the comic jabs. Brady didn’t sign up to the event fearing his feelings may get bruised. The only rule he set ahead of time was to avoid jokes aimed at his children.

Fair enough.

The Boston Globe chimed in, also a few days later.

 

 

“The Roast of Tom Brady” drew plenty of press. Some outlets noted how Brady cringed over a gag targeting Patriots owner Robert Kraft. Others reported that Netflix edited out the boos that rained down on Kim Kardashian when she graced the dais.

The performative outrage? Mostly missing. No hashtag campaigns or orchestrated efforts to shame Netflix for telling dirty jokes for subscribers eager to hear them.

The old rule still applies. If you find roasts deeply offensive, don’t watch them.

The Washington Post essay came days after the show aired, and it’s virtually alone in the media marketplace according to a good faith Google News search. 

USA Today even told readers where they could watch the special following its livestream debut.

These outlets didn’t have the woke energy to rally ASAP, a critical part of our digital age. Plus, the more audiences distrust the press for its rampant corruption, the less power these “think” pieces hold.

The best part? The master of ceremonies.

Hart’s Revenge Sure Was Sweet

Kevin Hart did the honors, and his joy over the task at hand was palpable. This is the same comic who got canceled from hosting the Oscars in 2018 after his “problematic” jokes from a decade ago resurfaced.

He had the last laugh over the weekend. Literally.

How did Netflix and co. get away with it?

The streamer deserves some of the credit. Not only did it host the special on its massive platform, it has repeatedly stood up to the woke mob in recent years.

The pivotal moment came at the end of 2021.

Dave Chappelle’s “The Closer” dropped in the Fall, and the woke mob screamed in near-unison over the show’s so-called transphobic jokes. The press pounded Chappelle, considered the best stand-up comic and a critical darling until that moment.

Netflix employees picketed their bosses, demanding something be done about the outrage.

Netflix could have apologized and pulled the special from its lineup. Instead, the company’s CEO essentially told offended employees to pound sand.

Since then, Netflix invited Chappelle back on its platform along with other rebel comics like Gillis, Dillon and Ricky Gervais.

No apologies. Just jokes.

Last year, “Saturday Night Live” informally apologized to Gillis for hiring, and then firing him in 2018 for telling insensitive jokes. How? It invited him to host the fading showcase.

Stars are starting to speak out against woke bylaws, too. Most recently, Jerry Seinfeld slammed the “extreme Left” for taking the fun out of comedy.

This critic wrote “Virtue Bombs: How Hollywood Got Woke and Lost Its Soul” two years ago, partially hoping the noxious movement would be fading as the tome hit bookstores.

No such luck.

Today? The times may be a-changing. And not a moment too soon.





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